Images of the corseted, domestic, white middle-class female and the black woman as slave mammy or jezebel loom large in studies of nineteenth-century womanhood, despite recent critical work exploring alternatives to those images. In Out in Public, Alison Piepmeier focuses on women's bodies as a site for their public self-construction. Rather than relying on familiar binaries such as public/private and victim/agent, Piepmeier presents women's public embodiment as multiple, transitional, strategic, playful, and contested.
Piepmeier looks closely at the lives and works of actress...
Images of the corseted, domestic, white middle-class female and the black woman as slave mammy or jezebel loom large in studies of nineteenth-century ...
With names like The East Village Inky, Mend My Dress, Dear Stepdad, and I'm So Fucking Beautiful, zines created by girls and women over the past two decades make feminism's third wave visible. These messy, photocopied do-it-yourself documents cover every imaginable subject matter and are loaded with handwriting, collage art, stickers, and glitter. Though they all reflect the personal style of the creators, they are also sites for constructing narratives, identities, and communities.
Girl Zines is the first book-length exploration of this exciting...
With names like The East Village Inky, Mend My Dress, Dear Stepdad, and I'm So Fucking Beautiful, zines created by girl...
