At first glance, George Stevens (19041975) appears to be the quintessential Hollywood director. A closer look at his achievements shows him to be more than just the creator of some of the smartest melodramas and comedies of the 1930s and 1940s, including Annie Oakley, Swing Time, and Gunga Din. Several of his films--Giant, The Diary of Anne Frank, Shane, The Greatest Story Ever Told, and A Place in the Sun--are regarded as some of the most important and enduring dramas of postwar American cinema. As a leading producer...
FILM ] BIOGRAPHY
At first glance, George Stevens (19041975) appears to be the quintessential Hollywood director. A closer look at his achievements ...
At first glance, George Stevens (19041975) appears to be the quintessential Hollywood director. A closer look at his achievements shows him to be more than just the creator of some of the smartest melodramas and comedies of the 1930s and 1940s, including Annie Oakley, Swing Time, and Gunga Din. Several of his films--Giant, The Diary of Anne Frank, Shane, The Greatest Story Ever Told, and A Place in the Sun--are regarded as some of the most important and enduring dramas of postwar American cinema. As a leading producer...
FILM ] BIOGRAPHY
At first glance, George Stevens (19041975) appears to be the quintessential Hollywood director. A closer look at his achievements ...
Roman Polanski (b. 1933) arrived on the international scene in 1962 with his first feature film, Knife in the Water, and his face would be on the cover of Time magazine by the end of that year. His vibrant, disturbing, and often violent films--including the psychological thriller Rosemary's Baby, the film noir classic Chinatown, and the somber Holocaust drama The Pianist--have entertained and sometimes infuriated audiences. Stylistically unsettling and thematically varied, Polanski's films have established him as one of the most talented and controversial...
Roman Polanski (b. 1933) arrived on the international scene in 1962 with his first feature film, Knife in the Water, and his face would be o...
Original poetry by Iranian filmmaker Abbas Kiarostami. A translation by Iman Tavassoly and Paul Cronin. From the injustice of our time, take refuge in poetry. From the harshness of the beloved, take refuge in poetry. From glaring cruelty, take refuge in poetry.
Original poetry by Iranian filmmaker Abbas Kiarostami. A translation by Iman Tavassoly and Paul Cronin. From the injustice of our time, take refuge in...
Original poetry by Iranian filmmaker Abbas Kiarostami. A translation by Iman Tavassoly and Paul Cronin. From the injustice of our time, take refuge in poetry. From the harshness of the beloved, take refuge in poetry. From glaring cruelty, take refuge in poetry.
Original poetry by Iranian filmmaker Abbas Kiarostami. A translation by Iman Tavassoly and Paul Cronin. From the injustice of our time, take refuge...
Original poetry by Iranian filmmaker Abbas Kiarostami. A translation by Iman Tavassoly and Paul Cronin. From the injustice of our time, take refuge in poetry. From the harshness of the beloved, take refuge in poetry. From glaring cruelty, take refuge in poetry.
Original poetry by Iranian filmmaker Abbas Kiarostami. A translation by Iman Tavassoly and Paul Cronin. From the injustice of our time, take refuge in...
Original poetry by Iranian filmmaker Abbas Kiarostami. A translation by Iman Tavassoly and Paul Cronin. From the injustice of our time, take refuge in poetry. From the harshness of the beloved, take refuge in poetry. From glaring cruelty, take refuge in poetry.
Original poetry by Iranian filmmaker Abbas Kiarostami. A translation by Iman Tavassoly and Paul Cronin. From the injustice of our time, take refuge in...
Original poetry by Iranian filmmaker Abbas Kiarostami. A translation by Iman Tavassoly and Paul Cronin. From the injustice of our time, take refuge in poetry. From the harshness of the beloved, take refuge in poetry. From glaring cruelty, take refuge in poetry.
Original poetry by Iranian filmmaker Abbas Kiarostami. A translation by Iman Tavassoly and Paul Cronin. From the injustice of our time, take refuge in...
Original poetry by Iranian filmmaker Abbas Kiarostami. A translation by Iman Tavassoly and Paul Cronin. From the injustice of our time, take refuge in poetry. From the harshness of the beloved, take refuge in poetry. From glaring cruelty, take refuge in poetry.
Original poetry by Iranian filmmaker Abbas Kiarostami. A translation by Iman Tavassoly and Paul Cronin. From the injustice of our time, take refuge in...
Over the past two decades, Abbas Kiarostami - the Iranian film director of Where is the Friend's House?, Life and Nothing More, Through the Olive Trees, Close Up, A Taste of Cherry, The Wind Will Carry Us, Ten, Shirin, Certified Copy and Like Someone in Love - has appeared regularly at festivals and on campuses, where he has worked closely for several days with young filmmakers, shepherding them and their projects, sending them out with cameras, then screening and discussing the results.
Pieced together from notes made over a period of nearly ten years at several of these...
Over the past two decades, Abbas Kiarostami - the Iranian film director of Where is the Friend's House?, Life and Nothing More, Through the Olive T...
