Alexander Leggatt has written a new Introduction to this updated edition of Russell Fraser's text on one of Shakespeare's most ambiguous plays. Leggatt's interest in performance informs his introduction and account of the instability of the main characters. He offers a thoughtful account of the play's critical and theatrical fortunes to the end of the twentieth century, as well as of the audience experience. An updated reading list completes the edition. First Edition Hb (1986): 0-521-22150-1 First Edition Pb (1986): 0-521-29365-0
Alexander Leggatt has written a new Introduction to this updated edition of Russell Fraser's text on one of Shakespeare's most ambiguous plays. Leggat...
In this new volume, Russell Fraser assembles fourteen twentieth-century writers he judges "worth keeping." All were famous in their time, but many outlived it, enduring an eclipse that Fraser intends this book to dispel. Each of the authors differs in background and in the kinds of writing practiced, and while together they do not constitute a modern canon, Fraser persuasively presents them as a group distinguished by a more than ordinary affiliation for language. Leading off are Oscar Wilde and J. M. Synge, both of whom were Irish and principally known as playwrights. The Scottish poets...
In this new volume, Russell Fraser assembles fourteen twentieth-century writers he judges "worth keeping." All were famous in their time, but many ...
Shakespeare: A Life in Art brings together in a single volume Fraser's previously published two-volume biography (Young Shakespeare, 1988, and Shakespeare: The Later Years, 1992). This volume includes a new introduction, which looks back on the author's lifelong commitment to Shakespeare's work and seeks to find the pattern in his carpet.
Fraser's approach places Shakespeare's work first but shows how the life and art interpenetrate, like "the yolk and white of one shell." What Shakespeare was doing in Stratford and London underlies what he was writing, or...
Shakespeare: A Life in Art brings together in a single volume Fraser's previously published two-volume biography (Young Shakespeare
Moscow, Constantinople (now Istanbul), and Rome itself are vitally alive in the present and are magnets for tourists. Also going back a long way, each lives in history. These cities have their points in common, each wanting to rule the world and establish Rome of the Caesars, Constantinople of the Emperors, and Moscow of the Tsars were also the Rome of St. Peter, the Constantinople of the Patriarchs, and the Moscow of the Orthodox Metropolitans. These were cities on earth that aspired to heaven, kingdoms that succeeded each other as standard-bearers of Christianity from the fourth century...
Moscow, Constantinople (now Istanbul), and Rome itself are vitally alive in the present and are magnets for tourists. Also going back a long way, e...
R. P. Blackmur was an American critic and poet, as well as a professor of English literature and creative writing at Princeton University. At the time of his death, he had completed five books and numerous plays, poems, and short stories. He devoted most of his life to studies on Henry Adams - someone he saw in himself. In his lifetime, he received a share of adulation, but he was not successful in the way that success is commonly measured. In this work, Russell Fraser follows the course of Blackmur's self-declared failed genius. He tells the story of his precocious youth in Cambridge; his...
R. P. Blackmur was an American critic and poet, as well as a professor of English literature and creative writing at Princeton University. At the time...
