Jackson Pollock dancing to the music as he painted; Romare Bearden's stage and costume designs for Alvin Ailey and Dianne McIntyre; Stanley Crouch stirring his high-powered essays in a room where a drumkit stands at the center: from the perspective of the new jazz studies, jazz is not only a music to define--it is a culture. Considering musicians and filmmakers, painters and poets, the intellectual improvisations in Uptown Conversation reevaluate, reimagine, and riff on the music that has for more than a century initiated a call and response across art forms, geographies, and cultures....
Jackson Pollock dancing to the music as he painted; Romare Bearden's stage and costume designs for Alvin Ailey and Dianne McIntyre; Stanley Crouch sti...
Jackson Pollock dancing to the music as he painted; Romare Bearden's stage and costume designs for Alvin Ailey and Dianne McIntyre; Stanley Crouch stirring his high-powered essays in a room where a drumkit stands at the center: from the perspective of the new jazz studies, jazz is not only a music to define--it is a culture. Considering musicians and filmmakers, painters and poets, the intellectual improvisations in Uptown Conversation reevaluate, reimagine, and riff on the music that has for more than a century initiated a call and response across art forms, geographies, and cultures....
Jackson Pollock dancing to the music as he painted; Romare Bearden's stage and costume designs for Alvin Ailey and Dianne McIntyre; Stanley Crouch sti...
A pathbreaking work of scholarship that will reshape our understanding of the Harlem Renaissance, The Practice of Diaspora revisits black transnational culture in the 1920s and 1930s, paying particular attention to links between intellectuals in New York and their Francophone counterparts in Paris. Brent Edwards suggests that diaspora is less a historical condition than a set of practices: the claims, correspondences, and collaborations through which black intellectuals pursue a variety of international alliances.
Edwards elucidates the workings of diaspora by tracking the...
A pathbreaking work of scholarship that will reshape our understanding of the Harlem Renaissance, The Practice of Diaspora revisits black tr...
For the first time in history, over 50 percent of human beings live in cities. Perhaps more surprising is that cities in the developed world have been eclipsed in size and growth by the megacities of the underdeveloped world the global South. As primary sites for human consumption of natural resources and for pollution of the environment, these global cities will witness the twenty-first-century crises ecological, political, and social when they first become full-blown. Global Cities of the South examines these portending disasters unfolding in the megacities of the global South....
For the first time in history, over 50 percent of human beings live in cities. Perhaps more surprising is that cities in the developed world have been...
In 1941 Thelonious Monk and Kenny Clarke copyrighted "Epistrophy," one of the best-known compositions of the bebop era. The song's title refers to a literary device--the repetition of a word or phrase at the end of successive clauses--that is echoed in the construction of the melody. Written two decades later, Amiri Baraka's poem "Epistrophe" alludes slyly to Monk's tune. Whether it is composers finding formal inspiration in verse or a poet invoking the sound of music, hearing across media is the source of innovation in black art.
Epistrophies explores this fertile interface...
In 1941 Thelonious Monk and Kenny Clarke copyrighted "Epistrophy," one of the best-known compositions of the bebop era. The song's title refers to ...
