This work offers a detailed analysis of Puritan iconoclasm in England during the 1640s, looking at the reasons for the resurgence of image-breaking a hundred years after the break with Rome, and the extent of the phenomenon. Initially a reaction to the emphasis on ceremony and the 'beauty of holiness' under Archbishop Laud, the attack on 'innovations', such as communion rails, images and stained glass windows, developed into a major campaign driven forward by the Long Parliament as part of its religious reformation. Increasingly radical legislation targeted not just 'new popery', but...