This is an extended discussion of this timeless argument of faith and reason. In 1965 D Z Phillips published The Concept of Prayer, one of his first books, and the first time that the influence of Wittgenstein's thought in the philosophy of religion was truly exposed. Two years later, in 1967, Kai Nielsen published his famous article "Wittgensteinian Fideism" in the journal Philosophy. Their respective philosophical work has developed over the years, with Phillips becoming known as the leading proponent of Wittgensteinian philosophy of religion, (Wittgenstein's philosophy was that language...

Condemned for his misogyny, self-hatred, anti-semitism and homophobia, as well as praised for his uncompromising and outspoken approach to gender and morality, Otto Weininger was one of the most controversial and widely read authors of fin-de-siecle Vienna. The purpose of this new collection of essays is to explore the various ways in which Wittgenstein absorbed and responded to Weininger's ideas. Written by an international team of experts on Wittgenstein and Weininger, the volume is especially timely in the light of recent translations of Weininger's work.

Condemned for his misogyny, self-hatred, anti-semitism and homophobia, as well as praised for his uncompromising and outspoken approach to gender and morality, Otto Weininger was one of the most controversial and widely read authors of fin-de-siecle Vienna. The purpose of this new collection of essays is to explore the various ways in which Wittgenstein absorbed and responded to Weininger's ideas. Written by an international team of experts on Wittgenstein and Weininger, the volume is especially timely in the light of recent translations of Weininger's work.

This book provides the first in-depth exploration of the importance of music for Ludwig Wittgenstein's life and work. Wittgenstein's remarks on music are essential for understanding his philosophy: they are on the nature of musical understanding, the relation of music to language, the concepts of representation and expression, on melody, irony and aspect-perception, and, on the great composers belonging to the Austrian-German tradition. Biography and philosophy, this work suggests that Wittgenstein was a composer of philosophy who used the musical form as a blueprint for his own writing and...