Bringing together material from the areas of documentary, fandom and animation, Movie Music, the Film Reader comprises an important first collection of writings about film music. It is divided into four sections, each with an introduction by the editor. Essays in The Meanings of the Score look at instrumental scores, their production and reception, and questions the onscreen power of the nineteenth century classical genre. The Place of the Song turns to popular music, asking how the pop score supports the film narrative. Formal Politics of Music on Film...

Widespread media interest into the Chechen conflict reflects an ongoing concern about the evolution of federal Russia. Why did the Russian leadership initiate military action against Chechnya in December 1994 but against no other constituent part of the Federation? This study demonstrates that the Russian invasion represented the culmination of a crisis that was perceived to have become an increasing threat not only to the stability of the North Caucasus region, but also to the very foundations of Russian security. It looks closely at the Russian Federation in transition, following the...