This volume offers transdisciplinary perspectives on the study of acting and performance in moving image forms. It assembles 26 international scholars from dance, theatre, film, media and cultural studies, art history and philosophy to investigate the art of acting and the presence of the human body in analog and digital film, animation and video art. The volume includes classical case studies and essays devoted to acting history and acting and genres, but its particular emphasis is on introducing a wide range of groundbreaking theoretical approaches - from continental and analytic philosophy...
This volume offers transdisciplinary perspectives on the study of acting and performance in moving image forms. It assembles 26 international scholars...
Die Beitrage des vorliegenden Bandes widmen sich einem medienwissenschaftliches Kernthema, das in unterschiedlichen Hinsichten als Programme der Medien, als Frage nach der (technischen) Programmierung und ihren Grenzen sowie mit Blick auf nicht nur politische, sondern auch diskursive Programmatiken untersucht wird. Die Perspektiven reichen von der Analyse medienspezifischer Programmangebote uber medienphilosophische Uberlegungen des Zusammenhangs von Schrift, Diagrammatik und Programm oder dem Nichtprogrammierbaren bis zu Fragen der durch Medien programmierten Gewalt oder der Programmatik...
Die Beitrage des vorliegenden Bandes widmen sich einem medienwissenschaftliches Kernthema, das in unterschiedlichen Hinsichten als Programme der Medie...
David J. Gunkel Ciro Marcondes Filho Dieter Mersch
The figure of the 'other' is fundamental to the concept of communication. Online or offline, communication, which is commonly defined as the act of sending or imparting information to others, is only possible in the face of others. In fact, the reason we communicate is to interact with others to talk to another, to share our thoughts and insights with them, or to respond to their needs and requests. No matter how it is structured or conceptualized, communication is involved with addressing the other and dealing with the ontological, epistemological, and ethical questions of otherness or...
The figure of the 'other' is fundamental to the concept of communication. Online or offline, communication, which is commonly defined as the act of se...
The figure of the 'other' is fundamental to the concept of communication. Online or offline, communication, which is commonly defined as the act of sending or imparting information to others, is only possible in the face of others. In fact, the reason we communicate is to interact with others to talk to another, to share our thoughts and insights with them, or to respond to their needs and requests. No matter how it is structured or conceptualized, communication is involved with addressing the other and dealing with the ontological, epistemological, and ethical questions of otherness or...
The figure of the 'other' is fundamental to the concept of communication. Online or offline, communication, which is commonly defined as the act of se...
