Giovanni Orelli's docufictional phantasmagoria revisits a lesser-known painting by Paul Klee titled "Alphabet I," which features black letters and symbols scrawled over the sports page of a newspaper reporting the results of the 1938 Swiss National Cup. This play of coincidences sets the stage for Orelli's encyclopedic portrait of European culture under Nazism, where a motley crew of philosopher-peasants as well as historical luminaries like Arthur Schopenhauer, Vincent van Gogh, Viktor Shklovsky, Marina Tsvetaeva, Klee himself, and the titular footballer Eugene Walaschek all meet at the...