Multinational media companies increasingly look to China as a highly important market for the future, but with what degree of confidence should they do so? Media in China is about a new kind of revolution in China - a revolution in which rapidly commercializing media industries confront slow-changing power relations between political, social and economic spheres. This interdisciplinary collection draws on the expertise of industry professionals, academic experts and cultural critics. It offers a variety of perspectives on audio-visual industries in the world's largest media market....

Cinema produces an imaginary space where audiences can make themselves visible in public, share ideas and criticisms, and establish their identity as part of a transitory but nonetheless satisfying cultural body. Public Secrets, Public Spaces explores the possibility of symbolic public space in the context of Chinese cinema. Focusing especially on women, children, and the dispossessed, Stephanie Donald looks at the ways public space is constructed and occupied, both in the Chinese cultural sphere and in the world of international audiences. Drawing on the debate over civil society, the author...

The Wizard of Oz brought many now-iconic tropes into popular culture: the yellow brick road, ruby slippers and Oz. But this book begins with Dorothy and her legacy as an archetypal touchstone in cinema for the child journeying far from home. In There's No Place Like Home, distinguished film scholar Stephanie Hemelryk Donald offers a fresh interpretation of the migrant child as a recurring figure in world cinema. Displaced or placeless children, and the idea of childhood itself, are vehicles to examine migration and cosmopolitanism in films such as Le Ballon Rouge, Sammy Going South...