Ford Madox Ford published this trilogy between 1905 and 1907, and, part of a wave of such texts, it investigates England and Englishness. It does so with originality, in impressionist style, in ways that provide an introduction to the work of this seminal modernist writer.

Fragmenting modernism is about Ford Madox Ford, a hero of the modernist literary revolution. Ford is a fascinating and fundamental figure of the time; not only because as a friend and critic of Ezra Pound and Joseph Conrad, editor of the 'English Review', and author of 'The Good Soldier', he shaped the development of literary modernism. But as the grandson of Ford Madox Brown, and son of a German music critic, he also manifested formative links with mainland European culture and the visual arts. In Ford there is the chance to explore continuity in artistic life at the turn of the century, as...

The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford's work, life, and contacts, to broader concerns of his time. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade's End, which Anthony Burgess described as 'the finest novel about the...

Life Writing offers the novice writer engaging and creative activities, making use of insightful, relevant readings from well-known authors to illustrate the techniques presented. This volume makes use of new versions of key chapters from the recent Routledge/Open University textbook, Creative Writing: A Workbook with Readings for writers who are specializing in life writing.

Using their experience and expertise as teachers as well as authors, Derek Neale and Sara Haslam guide aspiring writers through such key writing skills as:

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Taking account of Ford Madox Ford's entire literary output, this companion brings together prominent Ford specialists to offer an overview of existing Ford scholarship and to suggest new directions in Ford studies. The contributors cover areas relevant to Ford's fiction, nonfiction and poetry, including auto/biography, reception, translation, artistic contexts, gender, war, style, Mediterranean and transatlantic visions, criticism, journalism, editing, and the adaptation of his major works.