The surviving short mimes of Hero(n)das share much of their aims and background with the Alexandrian poetry of the first half of the third century BC, especially that of Callimachus and Theocritus. They are at once acutely aware of their literary ancestry, their choliambic metre based on archaic Hipponax, their genre on the traditions of Sophron, and their characters largely on the stock of New Comedy. They are literary and learned pieces but at the same time purport to present 'real life', particularly its seamier side - the bawd, the brothel-keeper, the purveyor of leather dildos. The...
The surviving short mimes of Hero(n)das share much of their aims and background with the Alexandrian poetry of the first half of the third century ...
This is an early publication (1891) by the highly regarded classical scholar and poet Walter George Headlam (1866 1908). Headlam, who taught at King's College, Cambridge, was deeply interested in textual criticism and dedicated much of his short life to translating and interpreting the works of Aeschylus, and even thirty years after his untimely death his notes formed the basis for an influential edition of the Oresteia. Although Headlam's subtitle does not name the target of his 'criticism', this book is in fact an impassioned attack on the style and method of editing employed by A. W....
This is an early publication (1891) by the highly regarded classical scholar and poet Walter George Headlam (1866 1908). Headlam, who taught at King's...
