This book shows how a play 'works' in the theatre: how it generates life, meaning and excitement on the stage for the audience. It is self evident that a play must communicate or it is not a play at all. Professor Styan argues that, while communication in drama begins with the script, the value or power of a play must be tested upon an audience. In the theatre experience, it is not so much the elements of drama on the stage or the perceptions of the audience which are important, as the relationships between them. It follows that the study of drama is the study of how the stage compels its...
This book shows how a play 'works' in the theatre: how it generates life, meaning and excitement on the stage for the audience. It is self evident tha...
For a full understanding of any text, careful consideration must be given to its life in performance. In this rewarding study of four of Chekhov's major plays - Uncle Vanya, The Seagull, The Cherry Orchard and Three Sisters - J. L. Styan demonstrates the development of Chekhov's skills as a dramatist and discusses stage action, portrayal of character, differing twentieth-century productions and the audience reactions they evoked.
For a full understanding of any text, careful consideration must be given to its life in performance. In this rewarding study of four of Chekhov's maj...
This book was first published in 1981. The theories of Wagner and Nietzsche provide the basic principles for this volume, disseminated by the work of Appia and Craig, and affecting the later plays of Ibsen, Maeterlinck, and Lugne-Poe's Theatre de Le'Oeuvre. Jarry is seen as the precursor of surrealism; later symbolist elements are found in the plays of Claudel, Giraudoux, Yeats, Eliot, Lorca and Pirandello. Artaud's theatre of cruelty is related to the work of Peter Brook. The theatre of the absurd is illustrated in Sartre, Beckett, Pinter and Ionesco. Recent avant-garde theatre in America...
This book was first published in 1981. The theories of Wagner and Nietzsche provide the basic principles for this volume, disseminated by the work of ...
The English Stage tells the story of English drama through its many changes in style and convention from medieval times to the present day. John Styan analyzes the key features of staging, including early street theater and public performance, the evolution of the playhouse and the private space, and the pairing of theory and stagecraft in the works of modern dramatists. Giving a critical performance analysis, the author closely examines a few key plays from each age to demonstrate how they succeed on stage. He also focuses on several major playwrights--Marlowe, Shakespeare, Jonson, and...
The English Stage tells the story of English drama through its many changes in style and convention from medieval times to the present day. John Styan...
