This book contains 11 essays and a comprehensive bibliography. The essays reveal the extent to which Philip K. Dick's personal obsessions pre-figured postmodernist concerns with humanity's self-alienation, cultural and personal paranoia, and the politics of simulation, deceit, and self-deception. The contributors reveal how Dick's ontological concerns, stated in his repeated questioning of What is real?, are also political concerns. Thus, they examine the philosophical and religious foundations on which his work rests, offering much-needed arguments which reveal both his philosophical...

This is the first book to examine the various uses of the Arthurian legend in Hollywood film, covering films from the 1920s to the present. The authors use five representational categories: intertextual collage (or cult film); melodrama, which focuses on the love triangle; conservative propaganda, pervasive during the Cold War; the Hollywood epic; and the postmodern quest, which commonly employs the grail portion of the legend. Arguing that filmmakers rely on the audience's rudimentary familiarity with the legend, the authors show that only certain features of the legend are activated at...