Combining postcolonial, performance, gender-based and environmental theory, this book examines the ways in which Nobel Prize winning author JM Coetzee displaces both the narrative and authorial voice in his works of fiction.

This book traces the development of Standard English, revealing a complex and intriguing history that challenges the usual textbook accounts. Leading scholars offer a wide-ranging analysis, from theoretical discussions of the origin of dialects, to detailed descriptions of the history of individual Standard English features. Ranging from Middle English to the Modern English period, the volume concludes that Standard English had no one single ancestor dialect, but is the cumulative result of generations of authoritative writing from many text types.

This book traces the development of Standard English, revealing a complex and intriguing history that challenges the usual textbook accounts. Leading scholars offer a wide-ranging analysis, from theoretical discussions of the origin of dialects, to detailed descriptions of the history of individual Standard English features. Ranging from Middle English to the Modern English period, the volume concludes that Standard English had no one single ancestor dialect, but is the cumulative result of generations of authoritative writing from many text types.

-At Naropa University's Jack Kerouac School of Disembodied Poetics, there has long been an illuminating, dynamic, ongoing exchange of ideas about the history and legacy of the Beat Generation--an exchange fortunately that has been carefully archived and preserved. This valuable anthology does not further embalm the 'legend' of the Beats. Instead it allows its readers to hear authentic voices --Allen Ginsberg, William Burroughs, John Clellon Holmes, Diane di Prima, Philip Whalen, etc.--as well as introducing the thoughtful and responsible work of leading Beat scholars.---Joyce Johnson

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