The poems in Rythmes pittoresques, first published in 1890, present not only a poet searching for a voice, but also a female poet searching for a voice while breaking down rules of both versification and gender-determined source of expression. They went straight to the heart of the male-dominated poetry of the time and effectively threatened its existence. Of the group of poets who were the first to write free-verse poetry in French - Marie Krysinska, Arthur Rimbaud, Jules Laforgue, Gustave Kahn - only Marie Krysinska (1857-1908) has not received critical recognition. Although it was quickly...
The poems in Rythmes pittoresques, first published in 1890, present not only a poet searching for a voice, but also a female poet searching for a voic...
"Leaving Parnassus: The Lyric Subject in Verlaine and Rimbaud" considers how the crisis of the lyric subject in the middle of the nineteenth century in France is a direct response to the aesthetic principles of Parnassian poetry, which dominated the second half of the century much more than critics often think. The poets considered here rebel against the strict confines of traditional and contemporary poetry and attempt to create radically new discursive practices. Specifically, the close readings of poems apply recent studies of subjectivity in poetry and focus on the works of Paul Verlaine...
"Leaving Parnassus: The Lyric Subject in Verlaine and Rimbaud" considers how the crisis of the lyric subject in the middle of the nineteenth century i...
Before he had turned 21, Arthur Rimbaud (1854-1891) upended the house of French poetry and left it in shambles. What makes Rimbaud's poetry important, argues Seth Whidden, is part of what makes his life so compelling: rebellion, audacity, creativity and exploration.
Before he had turned 21, Arthur Rimbaud (1854-1891) upended the house of French poetry and left it in shambles. What makes Rimbaud's poetry important,...
