The philosophy of perception is a microcosm of the metaphysics of mind. Its central problems -- What is perception? What is the nature of perceptual consciousness? How can one fit an account of perceptual experience into a broader account of the nature of the mind and the world? -- are at the heart of metaphysics. Rather than try to cover all of the many strands in the philosophy of perception, this book focuses on a particular orthodoxy about the nature of visual perception.

The central problem for visual science has been to explain how the brain bridges the gap between what is...

There is a traditional scepticism about whether the world "out there" really is as we perceive it. A new breed of hyper-sceptics now challenges whether we even have the perceptual experience we think we have. According to these writers, perceptual consciousness is a kind of false consciousness. This view grows out of the discovery of such phenomena as change blindness and inattentional blindness, which show that we can all be quite blind to changes taking place before our very eyes. Such radical scepticism has acute and widespread implications for the study of perception and consciousness....

A philosopher makes the case for thinking of works of art as tools for investigating ourselves

In Strange Tools: Art and Human Nature, the philosopher and cognitive scientist Alva Noe argues that our obsession with works of art has gotten in the way of understanding how art works on us. For Noe, art isn't a phenomenon in need of an explanation but a mode of research, a method of investigating what makes us human--a strange tool. Art isn't just something to look at or listen to--it is a challenge, a dare to try to make sense of what it is all about. Art aims not...