In this collection of stories, D. Harlan Wilson deconditions the boundaries of reality with the same offbeat methodology that energized his first book The Kafka Effekt. Stranger on the Loose is an absurdist account of urban and suburban social dynamics, and of the effects that contemporary image-culture has on the (in)human condition. These stories operate on a plane of existence that resists, and in many cases breaks, the laws of causality. Parrots teach college courses. Fl?neurs impersonate bowling pins. Bodybuilders sneak into people's homes and strike poses at their leisure....

In Pseudofoliculitis City nothing is as it seems and everything is as it should be. Today's forecast calls for extreme confrontation, with sandwich flurries and the threat of handlebar mustaches to the west. By turns absurd and surreal, dark and challenging, Pseudo-City exposes what waits in the bathroom stall, under the manhole cover and in the corporate boardroom, all in a way that can only be described as mind-bogglingly irreal.

D. Harlan Wilson returns with another ferociously mindbending collection of short fiction. Masked in absurdity, these stories reveal the horrifying and hilarious faces of everyday life. Wilson tells of egg raids, hog rippers, monk spitters, fathers who take their children to pet stores to buy them whales, sociopaths who threaten to clothesline eternity, and the simple act of the story itself becoming a means of repetitive, endless torture. Put on your goat head, hop in your hovercraft, and take a ride with a juggernaut of modern imaginative fiction.

Since he assassinated the Nowhere Man, Vincent Prague hasn't been the same, haunted by the ontological impossibility of the kill. His celebrity status has skyrocketed, however, and everybody wants a piece of him. The MAP (Ministry of Applied Pressure) promotes him to Anvil-in-Chief, the catbird's seat of special agents. Under the so-stupid-it's-genius alias of "Vincent 'Codename' Prague," he works a case that leads him to the Former Czech Republik's Prague, a dark cirque du city where androids run wild, femme fatales chronically manhandle him, and a mad chef named Doktor Teufelsdrockh has...

(Publisher's Note: The author failed to fold my laundry in the proper manner, so I am letting the cat out of the bag-these are not actual biographies. They are closer to maps of the author's ego than they are texts about the namesakes adorning their covers. So, if you want to read about Freud or Douglass or Hitler I suggest you do so elsewhere.) In this unofficial, unauthorized sequel to Peter Gay's groundbreaking Freud: A Life of Our Time, D. Harlan Wilson reveals a side of the man that has proven too disturbing and risque for past biographers. Based on newly recovered diaries, microfiche,...

Taking its cue from the theme song of Kill Bill by Tomoyasu Hotei and the Japanese yakuza film, BATTLE WITHOUT HONOR AND HUMANITY is a thought experiment in the short story form. The deranged politicians, simian film directors, choleric tyrants, fevered academics and berserk everymen that populate this first volume scurry like vermin through dreamlike environments that have been imploded by the hammer of media and information technologies. Based in part on the author's lifelong practice of the martial arts, especially judo and Jeet Kune Do, unlikely English professor D. Harlan Wilson weaves a...

British author Steve Aylett writes in multiple genres, usually simultaneously, combining elements of science fiction and fantasy with comedy and a high literary aesthetic. As a result of his unique method of narrative hybridization, Aylett has garnered throngs of devotees in underground circles. He is simply too clever and grandiloquent for genre readers, and he's too genre for literary readers, infusing his meta-pulp fictions with intricate networks of hi-tech and/or bizarre novums. Like J. G. Ballard, Aylett belies, if not capsizes, formulaic methods and ultimately constitutes a genre in...

Prophetic short stories and apocalyptic novels like The Crystal World made J. G. Ballard a foundational figure in the British New Wave. Rejecting the science fiction of rockets and aliens, he explored an inner space of humanity informed by psychiatry and biology and shaped by Surrealism. Later in his career, Ballard's combustible plots and violent imagery spurred controversy--even legal action--while his autobiographical 1984 war novel Empire of the Sun brought him fame. D. Harlan Wilson offers the first career-spanning analysis of an author who helped steer SF in new, if startling,...