This illuminating study by Christian Jambet explores the essential elements of the philosophical system of Mulla Sadra Shirazi, an Iranian Shi'ite of the seventeenth century. The writings of Mulla Sadra Shirazi (d. 1640) bear witness to the divine revelation in every act of being, from the most humble to the most celebrated. More generally, Islamic philosophy employs an ontology of the real that is important to the destiny of metaphysics, an ontology that belongs to our own universe of thought. The Act of Being, nourished by the Sufism of Ibn al-'Arabi, the philosophy of classical Islam,...
This illuminating study by Christian Jambet explores the essential elements of the philosophical system of Mulla Sadra Shirazi, an Iranian Shi'ite ...
"A great story, full of twists and turns. . . . Careers made and ruined, departments torn apart, writing programs turned into sensitivity seminars, political witch hunts, public opprobrium, ignorant media attacks, the whole ball of wax. Read it and laugh or read it and weep. I can hardly wait for the movie." --Stanley Fish, Think Again, New York Times
"In such a difficult genre, full of traps and obstacles, French Theory is a success and a remarkable book in every respect: it is fair, balanced, and informed. I am sure this book will become the reference on both sides of...
"A great story, full of twists and turns. . . . Careers made and ruined, departments torn apart, writing programs turned into sensitivity seminars,...
In this first full-length study of a largely forgotten optical device from the eighteenth century, Arnaud Maillet reconfigures our historical understanding of visual experience and meaning in relation to notions of opacity, transparency, and imagination. Many are familiar with the Claude glass as a small black convex mirror used by artists and spectators of landscape to reflect a view and make tonal values and areas of light and shade visible. In a groundbreaking account, Maillet goes well beyond this particular function of the glass and situates it within a richer archaeology of Western...
In this first full-length study of a largely forgotten optical device from the eighteenth century, Arnaud Maillet reconfigures our historical under...
This book makes available for the first time in English--and for the first time in its entirety in any language--an important yet little-known interview on the topic of photography that Jacques Derrida granted in 1992 to the German theorist of photography Hubertus von Amelunxen and the German literary and media theorist Michael Wetzel. Their conversation addresses, among other things, questions of presence and its manufacture, the technicity of presentation, the volatility of the authorial subject, and the concept of memory. Derrida offers a penetrating intervention with regard to the...
This book makes available for the first time in English--and for the first time in its entirety in any language--an important yet little-known intervi...
Is writing haunted by a categorical imperative? Does the Kantian sublime continue to shape the writer's vocation, even for twentieth-century authors? What precise shape, form, or figure does this residue of sublimity take in the fictions that follow from it--and that leave it in ruins? This book explores these questions through readings of three authors who bear witness to an ambiguous exigency: writing as a demanding and exclusive task, at odds with life, but also a mere compulsion, a drive without end or reason, even a kind of torture. If Kafka, Blanchot, and Beckett mimic a sublime...
Is writing haunted by a categorical imperative? Does the Kantian sublime continue to shape the writer's vocation, even for twentieth-century authors? ...
"Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in his life, he wrote largely in this "pagan" vein. If it was an artistic endeavour, why then should art be defined in reference to religion? And which religion precisely? Was Varuzhan echoing Schelling's Philosophy of Art? Mourning Philology draws on Varuzhan and his work to present a history of the national imagination, which is also a history of...
"Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic pa...
