The fundamental subject of Not Most People: The Pornographist's Tale is death as a philosophical problem of which all thinking men and women are conscious. Set in an unidentified state penitentiary, the play dramatizes love as that human possibility which enables us to live fulfilled, purposeful lives despite our mortality and our lack of knowledge of what, if anything, may await us after death. The playwright argues that, given our mortality, no form or expression of human love is obscene or immoral, that, in fact, when confronted by the greatest obscenity we experience, namely death, love...

The fundamental subject of Not Most People: The Pornographist's Tale is death as a philosophical problem of which all thinking men and women are conscious. Set in an unidentified state penitentiary, the play dramatizes love as that human possibility which enables us to live fulfilled, purposeful lives despite our mortality and our lack of knowledge of what, if anything, may await us after death. The playwright argues that, given our mortality, no form or expression of human love is obscene or immoral, that, in fact, when confronted by the greatest obscenity we experience, namely death, love...