Music in film is often dismissed as having little cultural significance. While Hammer Film Productions is famous for such classic films as Dracula and The Curse of Frankenstein, few observers have noted the innovative music that Hammer distinctively incorporated into its horror films. This book tells how Hammer commissioned composers at the cutting edge of European musical modernism to write their movie scores, introducing the avant-garde into popular culture via the enormously successful venue of horror film. Each chapter addresses a specific category of the avant-garde musical...

Explores the origin of Gothic cinema in art and literature, tracing its connection to the Gothic revival in architecture, the Gothic novel, landscape, ruins, Egyptology, occultism, sexuality, the mythology of werewolves, the philosophy of Hegel, and many other aspects of the Romantic and Symbolist movements.

Hammer Film's output is justly famous for Gothic horror but the company also excelled in the genre of the psychological thriller. Though indebted to the example of Henri-Georges Clouzot and Alfred Hitchcock, Hammer nonetheless created its own style and approach to this genre in a series of often under-rated films that are, in fact, some of the company's very best.

Beginning with an exploration of the key influences from Clouzot and Hitchcock, this book takes a chronological, film-by-film approach to all of Hammer's thrillers. Along the way, well-known classics such as Seth Holt's...

Edgar Allan Poe exerted a profound influence on many aspects of 20th-century culture, and continues to inspire composers, filmmakers, writers and artists. Popularly thought of as a horror writer, Poe was also a philosophical aesthete, a satirist, a hoaxer, a psychologist and a prophet of the anxieties and preoccupations of the modern world. Alphabetically arranged, this book explores Poe's major works both in their own right and in terms of their impact on others, including Baudelaire, who translated his works into French; Debussy, Rachmaninoff and the Alan Parsons' Project, who set them to...

Edward Bulwer-Lytton--who coined the terms "the great unwashed" and "the pen is mightier than the sword"--is best remembered for persuading Dickens to change the ending of Great Expectations; but Lord Lytton was a prolific and influential novelist in his own right, inspiring Edgar Allan Poe, H. Rider Haggard and Madame Blavatsky, among others. His radicalism was applauded by William Godwin, the father of both Mary Shelley and the anarchist movement, and his ideas about power foreshadowed those of Friedrich Nietzsche. Fascinated by crime, Bulwer-Lytton was an outspoken critic of his...

Friedrich Nietzsche regarded himself as the most musical philosopherhe played the piano, wrote his own compositions and espoused a philosophy encouraging all to dance for joy. Central to his life and his ideas were the music and personality of Richard Wagner, whom he both loved and loathed at different times of his life. Nietzsche had considerable influence on composers, many of whom employed Wagnerian sonorities to set his words and respond to his ideas. This book explores Nietzsche's relationship with Wagner, the influence of his writings on the music of Strauss, Mahler, Delius, Scriabin,...

British literature often refers to pagan and classical themes through richly detailed landscapes that suggest more than a mere backdrop of physical features. The myth-inspired writings of Alfred, Lord Tennyson, Algernon Blackwood, Aleister Crowley, Lord Dunsany and even Kenneth Grahame's The Wind in the Willows informed later British films and television dramas such as Blood on Satan's Claw (1971), The Wicker Man (1973), Excalibur (1981) and Monty Python and the Holy Grail (1975). The author analyzes the evocative language and aesthetics of landscapes in...

Film is a kind of magic, a world of shadows and light, where anything is possible and the dead come back to life. Movie Magick explores the way in which films have been inspired by Alesiter Crowley's famous definition of ""Magick"" as ""the Science and Art of causing Change to occur in conformity with Will.""

The aesthetic of body horror has its origins in the ideas of the Marquis de Sade and the existential philosophies of Arthur Schopenhauer and Friedrich Nietzsche. This book examines the relationship between these writers and the various manifestations of body horror in film.