This book is an important study of European love poetry from Dante to Milton. It contrasts some of the ways whereby major Renaissance poets express a conflict between sensual love and spiritual love. For these poets love arouses metaphysical disquiet, throwing into relief the frailties and contradictions of human nature. The argument grows out of a close comparison of passages in Dante's Divina Comedia, and Milton's Paradise Lost. The extensive survey of conceptions of sacred and secular love is the basis for studies of other major texts: Petrarch's I Trionfi, Michelangelo's love poems,...