The renowned tale of Amor and Psyche, from Apuleius's second-century Latin novel The Golden Ass, is one of the most charming fragments of classical literature. Neumann chose it as the exemplar of an unusual study of feminine psychology. Unfolding the spiritual and mythical background of the pagan narrative, he shows how the contest between the mortal maid Psyche and the great goddess Aphrodite over the god Amor--Aphrodite's son, Psyche's husband--yields surprising and valuable insights into the psychic life of women.

Four essays on the psychological aspects of art. A study of Leonardo treats the work of art, and art itself, not as ends in themselves, but rather as instruments of the artist's inner situation. Two other essays discuss the relation of art to its epoch and specifically the relation of modern art to our own time. An essay on Chagall views this artist in the context of the problems explored in the other studies.

As an associate of C. G. Jung for many years, Jolande Jacobi is in a unique position to provide an interpretation of his work. In this volume, Dr. Jacobi presents a study of three central, interrelated concepts in analytical psychology: the individual complex, the universal archetype, and the dynamic symbol.

The Swiss thinker J. J. Bachofen is most often connected with his theory of matriarchy, or "mother right," but that concept is only a small part of his contribution to our understanding of cultural history. This book includes an autobiographical essay and selections from An Essay on Ancient Mortuary Symbolism, Mother Right, and The Myth of Tanaquil.
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Essays by Julius Baum, C. G. Jung, C. Kerenyi, Hans Leisegang, Paul Masson-Oursel, Fritz Meier, Jean de Menasce, Georges Nagel, Walter F. Otto, Max Pulver, Hugo Rahner, Paul Schmitt, and Walter Wili.

Essays by Ernesto Buonaiuti, Friedrich Dessauer, C. G. Jung, Werner Kaegi, C. Kerenyi, Paul Masson-Oursel, Fritz Meier, Adolf Portmann, Max Pulver, Hugo Rahner, Erwin Schrodinger, and Walter Wili.

Prometheus the god stole fire from heaven and bestowed it on humans. In punishment, Zeus chained him to a rock, where an eagle clawed unceasingly at his liver, until Herakles freed him. For the Greeks, the myth of Prometheus's release reflected a primordial law of existence and the fate of humankind. Carl Kerenyi examines the story of Prometheus and the very process of mythmaking as a reflection of the archetypal function and seeks to discover how this primitive tale was invested with a universal fatality, first in the Greek imagination, and then in the Western tradition of Romantic...

In this, his final book, Erich Auerbach writes, "My purpose is always to write history." Tracing the transformations of classical Latin rhetoric from late antiquity to the modern era, he explores major concerns raised in his Mimesis the historical and social contexts in which writings were received, and issues of aesthetics, semantics, stylistics, and sociology that anticipate the concerns of the new historicism.

Displaying his characteristic penchant for the macabre, the tender and the comic, Michael Tournier presents the traditional Magi describing their personal odysseys to Bethlehem--and audaciously imagines a fourth, -the eternal latecomer-' whose story of hardship and redemption is the most moving and instructive of all. Prince of Mangalore and son of an Indian maharajah, Taor has tasted an exquisite confection, rachat loukoum, and is so taken by the flavor that he sets out to recover the recipe. His quest takes him across Western Asia and finally lands him in Sodom, where he is...