For the short piece that I wrote for the Red Room, I read hundreds of stories of refugees seeking asylum in this country; the Refugee Council provided me with some of the source material. All of these were sad, but some were sickening, so horrifying as to be almost unbearable. Inspired by these terrible stories, I created my story of The Bogus Woman.--Kay Adshead
For the short piece that I wrote for the Red Room, I read hundreds of stories of refugees seeking asylum in this country; the Refugee Council provided...
"Kay Adshead's writing demonstrates that theatre has lost none of its ability to grab you by the throat and ask you where you stand."--Sunday Times (London)
In the last diner at the end of a world ravaged by war, a menu of love, death, and revenge is served by the "hired help." Seven courses make for a poetic feast of universal tales looking back to the forgotten war and forward to a nightmarish future.
"Kay Adshead's writing demonstrates that theatre has lost none of its ability to grab you by the throat and ask you where you stand."--Sunday Ti...
In 2011, throughout the Arab World, veiled women took to the streets to protest. Their calls for change were briefly celebrated, soon derided, then ignored. The Singing Stones gives voice to their extraordinary stories. These are the women who snitched on Gaddafi, marched on Tahrir Square, defended the borders of Kurdistan. A fearless exploration of women and the Arab Spring.
In 2011, throughout the Arab World, veiled women took to the streets to protest. Their calls for change were briefly celebrated, soon derided, then ig...
