Byromania and the Birth of Celebrity Culture argues that Byron's popularity, particularly among women, marked the beginning of celebrity as a cultural industry. For nearly two hundred years, Romantic criticism has maintained distinctions between Byron the politically engaged poet and Byron the object of obsessive feminine adulation, or "Byromania." Ghislaine McDayter asserts that this distinction results more from the preferences of critics rather than discrepancies inherent in Byron's poetry. Drawing upon recent scholarship on nineteenth-century politics of sexuality and perversity,...