Photographs have the power to define and shape a community of people--for those who are revealed as well as for those who view them. Louis Kaplan addresses this phenomenon through a constellation of innovative essays that draw on the artistic renderings of national, ethnic, and global community. Spanning the twentieth century and profusely illustrated, American Exposures sheds light on a wide range of photographs, from Arthur Mole's propagandistic "living photographs" of American icons and symbols to the exploration of contemporary subcultural communities by the Korean-born...
Photographs have the power to define and shape a community of people--for those who are revealed as well as for those who view them. Louis Kaplan addr...
Photographs have the power to define and shape a community of people--for those who are revealed as well as for those who view them. Louis Kaplan addresses this phenomenon through a constellation of innovative essays that draw on the artistic renderings of national, ethnic, and global community. Spanning the twentieth century and profusely illustrated, American Exposures sheds light on a wide range of photographs, from Arthur Mole's propagandistic "living photographs" of American icons and symbols to the exploration of contemporary subcultural communities by the Korean-born...
Photographs have the power to define and shape a community of people--for those who are revealed as well as for those who view them. Louis Kaplan addr...
Entertainment is a critical reader accompanying the Vancouver artist's recent exhibition of photographs at The Power Plant in Toronto. This body of work is a meticulous studio project for which Douglas assumed the identity of a character working as a Weegee-esque photojournalist and commercial photographer in midcentury Vancouver.
Entertainment is a critical reader accompanying the Vancouver artist's recent exhibition of photographs at The Power Plant in Toronto. This bod...
Some photos are haunting, some breathtaking; some are illuminating, and some are beautiful. And some photos as those of us who have ever been on the internet know are downright hilarious. But humor has often been on the sidelines of photography scholarship. With this book, Louis Kaplan remedies this, gathering together over one hundred images in a revealing look at the way photographers from the very beginning of photography in the nineteenth century have found so much amusement at the ends of their lenses. Kaplan introduces readers to a key set of genres in photographic humor, showing...
Some photos are haunting, some breathtaking; some are illuminating, and some are beautiful. And some photos as those of us who have ever been on the i...
