Ranging from Los Angeles to Havana to the Bronx to the U.S.-Mexico border and from klezmer to hip hop to Latin rock, this groundbreaking book injects popular music into contemporary debates over American identity. Josh Kun insists that America is not a single chorus of many voices folded into one, but rather various republics of sound that represent multiple stories of racial and ethnic difference. To this end he covers a range of music and listeners to evoke the ways that popular sounds have expanded our idea of American culture and American identity. Artists as diverse as The Weavers, Cafe...
Ranging from Los Angeles to Havana to the Bronx to the U.S.-Mexico border and from klezmer to hip hop to Latin rock, this groundbreaking book injects ...
Mickey Katz (1909 - 1985), a Jewish comedian and musician, is best known for his parodies -- "Theme from Moulin Rouge (Where is My Heart)" became "Where is My Pants?," "(How Much is that) Doggie in the Window" became "Pickle in the Window" -- incorporating Yiddish words and accents. His very first English-Yiddish recording, "Haim afen Range," was an instant hit and he went on to record ninety singles and ten albums for RCA and Capitol. Father of performer Joel Grey and grandfather of actress Jennifer Grey, Mickey Katz's irreverent blend of Jewish story-telling, vaudeville routines,...
Mickey Katz (1909 - 1985), a Jewish comedian and musician, is best known for his parodies -- "Theme from Moulin Rouge (Where is My Heart)" became "Whe...
There has been a long-standing relationship between Jewish Americans and the world of American popular music. The essays in this volume blend surveys of music making as a whole with profiles of single artists. This is volume 8 of the annual publication, The Jewish Role in American Life (ISSN 1934-7529), produced by the Casden Institute for the Study of the Jewish Role in American Life at the University of Southern California. Contents: Foreword (Gayle Wald); Introduction (Josh Kun); Cohen Owes Me Ninety-Seven Dollars, and other Tales from the Jewish Sheet-Music Trade (Jody Rosen); 'Dances...
There has been a long-standing relationship between Jewish Americans and the world of American popular music. The essays in this volume blend surveys ...
In Buena Vista in the Club, Geoffrey Baker traces the trajectory of the Havana hip hop scene from the late 1980s to the present and analyzes its partial eclipse by reggaeton. While Cuban officials initially rejected rap as "the music of the enemy," leading figures in the hip hop scene soon convinced certain cultural institutions to accept and then promote rap as part of Cuba's national culture. Culminating in the creation of the state-run Cuban Rap Agency, this process of "nationalization" drew on the shared ideological roots of hip hop and the Cuban nation and the historical...
In Buena Vista in the Club, Geoffrey Baker traces the trajectory of the Havana hip hop scene from the late 1980s to the present and analyzes it...
Birds of Fire brings overdue critical attention to fusion, a musical idiom that emerged as young musicians blended elements of jazz, rock, and funk in the late 1960s and 1970s. At the time, fusion was disparaged by jazz writers and ignored by rock critics. In the years since, it has come to be seen as a commercially driven jazz substyle. Fusion never did coalesce into a genre. In Birds of Fire, Kevin Fellezs contends that hybridity was its reason for being. By mixing different musical and cultural traditions, fusion artists sought to disrupt generic boundaries, cultural...
Birds of Fire brings overdue critical attention to fusion, a musical idiom that emerged as young musicians blended elements of jazz, rock, and ...
Birds of Fire brings overdue critical attention to fusion, a musical idiom that emerged as young musicians blended elements of jazz, rock, and funk in the late 1960s and 1970s. At the time, fusion was disparaged by jazz writers and ignored by rock critics. In the years since, it has come to be seen as a commercially driven jazz substyle. Fusion never did coalesce into a genre. In Birds of Fire, Kevin Fellezs contends that hybridity was its reason for being. By mixing different musical and cultural traditions, fusion artists sought to disrupt generic boundaries, cultural...
Birds of Fire brings overdue critical attention to fusion, a musical idiom that emerged as young musicians blended elements of jazz, rock, and ...