Marosa di Giorgio has one of the most distinct and recognizable voices in Latin American poetry. Her surreal and fable-like prose poems invite comparison to Franz Kafka, Julio Cortazar, or even contemporary American poets Russell Edson and Charles Simic. But di Giorgio's voice, imagery, and themes--childhood, the Uruguayan countryside, a perception of the sacred--are her own. Previously written off as "the mad woman of Uruguayan letters," di Giorgio's reputation has blossomed in recent years. Translator Adam Giannelli's careful selection of poems spans the enormous output of di Giorgio's...