This dissertation seeks to determine whether the cycle of films produced after the fall of the 'Gang of Four' in the People's Republic of China in 1976, and representing events during the Cultural Revolution decade of 1966-1976, constitutes a major break with the classical mainland Chinese cinema that had been dominant in that country after 1949. It is widely acknowledged in scholarship about China that Chinese society and culture now is qualitatively different from the heyday of socialism, both in terms of a decline in central control and loss of faith in the socialist vision. This...
This dissertation seeks to determine whether the cycle of films produced after the fall of the 'Gang of Four' in the People's Republic of China in 197...
"Mobile Cultures "provides much-needed, empirically grounded studies of the connections between new media technologies, the globalization of sexual cultures, and the rise of queer Asia. The availability and use of new media fax machines, mobile phones, the Internet, electronic message boards, pagers, and global television have grown exponentially in Asia over the past decade. This explosion of information technology has sparked a revolution, transforming lives and lifestyles, enabling the creation of communities and the expression of sexual identities in a region notorious for the regulation...
"Mobile Cultures "provides much-needed, empirically grounded studies of the connections between new media technologies, the globalization of sexual cu...
Media do not simply portray places that already exist; they actually produce them. In exploring how world populations experience "place" through media technologies, the essays included here examine how media construct the meanings of home, community, work, nation, and citizenship.
Tracing how media reconfigure the boundaries between public and private-and global and local-to create "electronic elsewheres," the essays investigate such spaces and identities as the avatars that women are creating on Web sites, analyze the role of satellite television in transforming Algerian...
Media do not simply portray places that already exist; they actually produce them. In exploring how world populations experience "place" through me...
Media do not simply portray places that already exist; they actually produce them. In exploring how world populations experience "place" through media technologies, the essays included here examine how media construct the meanings of home, community, work, nation, and citizenship.
Tracing how media reconfigure the boundaries between public and private-and global and local-to create "electronic elsewheres," the essays investigate such spaces and identities as the avatars that women are creating on Web sites, analyze the role of satellite television in transforming Algerian...
Media do not simply portray places that already exist; they actually produce them. In exploring how world populations experience "place" through me...
Chris Berry Jonathan D. Mackintosh Nicola Liscutin
Highlights how regional popular cultures and creative industries have become globally powerful, analyzing gender and labor issues amid differing regulatory frameworks of cultural production and piracy in Asia.
Highlights how regional popular cultures and creative industries have become globally powerful, analyzing gender and labor issues amid differing regul...
Chinese cinema is the only non-English language cinema to have a significant global presence. From multiplex blockbusters like Ang Lee's Crouching Tiger, Hidden Dragon to festival hits such as Jia Zhangke's Still Life, Chinese cinema succeeds like no other foreign-language cinema. The interdisciplinary field of Chinese Cinema Studies has boomed alongside these developments and, today, no Asian Studies, Chinese Studies, or Film and Media Studies programme is complete without courses that cover Chinese cinema, including the cinemas of the People's Republic of China, Hong...
Chinese cinema is the only non-English language cinema to have a significant global presence. From multiplex blockbusters like Ang Lee's Crouch...
Since the 1990s there has been a dramatic increase in cultural flows and connections between the countries in the East Asian region. Nowhere is this more apparent than when looking at popular culture where uneven but multilateral exchanges of Japanese, Korean, Taiwanese, Hong Kong and Chinese products have led to the construction of an East Asian Popular Culture . This is both influenced by, and in turn influences, the national cultures, and generates transnational co-production and reinvention.
As East Asian popular culture becomes a global force, it is increasingly...
Since the 1990s there has been a dramatic increase in cultural flows and connections between the countries in the East Asian region. Nowhere is thi...
