A COURSE OF COUNTERPOINT AND FUGUE, VOL. 1 By L. Cherubini
Excerpt from Contents BOOK I - COUNTERPOINT I. Introduction Preliminary Notions Concords which may be used in strict Counterpoint Discords to be employed in strict Counterpoint Different kinds of movement, as conjunct, disjunct, similar, contrary, and oblique II. Counterpoint in two Parts First Species - Note against note False Relations III. Second Species in two Parts - two notes against one IV. Third Species in two Parts - four notes to each semibreve V. Fourth Species in...
A COURSE OF COUNTERPOINT AND FUGUE, VOL. 1 By L. Cherubini
Excerpt from Contents BOOK I - COUNTERPOINT I. Introduction Prelim...
A COURSE OF COUNTERPOINT AND FUGUE, VOL. 2 By L. Cherubini
Contents EXAMPLES ON FUGUE WITH A PERPETUAL ANALYSIS 1. Strict Fugue in Two Parts 2. Tonal Fugue in Two Parts 3. Strict Fugue in Three Parts 4. Tonal Fugue in Three Parts, with One Countersubject 5. Ditto . . . in Four Parts, with One Countersubject 6. Ditto . . . . . ditto . . with Two Countersubjects 7. Chromatic Fugue in Four Parts, with Three Countersubjects Remark on the Plagal Cadence 8. Tonal Fugue, much developed, in Eight Parts, for Two Choirs 9. Strict Fugue in Eight...
A COURSE OF COUNTERPOINT AND FUGUE, VOL. 2 By L. Cherubini
Contents EXAMPLES ON FUGUE WITH A PERPETUAL ANALYSIS 1. Strict Fugue i...