The representation and experience of embodiment is a central preoccupation of Samuel Beckett's drama, one that he explored through diverse media. McMullan investigates the full range of Beckett's dramatic canon for stage, radio, television and film, including early drama, mimes and unpublished fragments. She examines how Beckett's drama composes and recomposes the body in each medium, and provokes ways of perceiving, conceiving and experiencing embodiment that address wider preoccupations with corporeality, technology and systems of power. McMullan argues that the body in Beckett's drama...
The representation and experience of embodiment is a central preoccupation of Samuel Beckett's drama, one that he explored through diverse media. M...
As the first published collection of articles on the theatre of Marina Carr, this volume explores the world of Carr's theatrical imagination, the place of her plays in contemporary theatre in Ireland and abroad and the significance of her highly individual voice. These essays examine Carr's highly original voice, and place her plays in the context of current theatre in Ireland and abroad. They raise lively debate on contemporary representations of 'Irishness' on the stage, on the current state of Irish theatre, on the impact of female authorship on the canon of Irish theatre, and on Carr's...
As the first published collection of articles on the theatre of Marina Carr, this volume explores the world of Carr's theatrical imagination, the plac...
Providing an overview of existing scholarship on Beckett and performance, this title will place Beckett's drama for theatre, film, television and radio in the context of highly contemporary discourses of subjectivity, embodiment, performance and technology.
Providing an overview of existing scholarship on Beckett and performance, this title will place Beckett's drama for theatre, film, television and radi...
