Popular Spanish Film Under Franco is the first book of its kind to analyze cinematic comedy during the initial two decades of Francisco Franco's dictatorship. Focusing on the intersection between popular culture and political populism, it breaks new theoretical ground in re-evaluating the policies of the regime and the tactics employed by those who sought to undermine it. Its cultural studies approach - combining Gramsci, de Certeau and Bakhtin - interrogates the ambiguous nature of subversion and challenges common assumptions concerning post-war Spanish film.

What does the portrayal of gender in film reveal about Spanish society? To what extent and in what ways does Spanish cinema contribute to constructions of national and regional identity? How does gender interact with ethnicity, class, politics and history? Gender and Spanish Cinema addresses these questions and more in its examination of twentieth-century Spanish film. Defining "gender" in its broadest sense, the authors discuss topics such as body, performance, desire and fantasy. Gender is not considered in isolation, but is discussed in relation to nationalism, race, memory,...

What does the portrayal of gender in film reveal about Spanish society? To what extent and in what ways does Spanish cinema contribute to constructions of national and regional identity? How does gender interact with ethnicity, class, politics and history? Gender and Spanish Cinema addresses these questions and more in its examination of twentieth-century Spanish film. Defining "gender" in its broadest sense, the authors discuss topics such as body, performance, desire and fantasy. Gender is not considered in isolation, but is discussed in relation to nationalism, race, memory,...