Wittgenstein, Culture and the Arts is the first full exploration of the profound implications of Wittgenstein's philosophy for understanding the arts and cultural criticism. This stellar collection of original essays by philosophers and critics of the arts addresses the main philosophical topics of importance in the study of the arts and culture, such as humanism, criticism, the philosophy of language, psychology, painting, performance, film and ethics. The essays exemplify Wittgenstein's method of conceptual investigation and highlight his notion of philosophy as a cure. This will be an...
Wittgenstein, Culture and the Arts is the first full exploration of the profound implications of Wittgenstein's philosophy for understanding the arts ...
This is the first full exploration of the implications of Wittgenstein's philosophy for understanding the arts and cultural criticism. These original essays by philosophers and critics address key philosophical topics in the study of the arts and culture, such as humanism, criticism, psychology, painting, film and ethics. All exemplify Wittgenstein's method of conceptual investigation and highlight his notion of philosophy as a cure.
This is the first full exploration of the implications of Wittgenstein's philosophy for understanding the arts and cultural criticism. These original ...
The film theories of Jean Epstein, Dziga Vertov, Bela Balazs, and Siegfried Kracauer have long been studied separately from each other. In Doubting Vision, film scholar Malcolm Turvey argues that their work constitutes a distinct, hitherto neglected tradition, which he calls revelationism, and which differs in important ways from modernism and realism. For these four theorists and filmmakers, the cinema is an art of mass enlightenment because it escapes the limits of human sight and reveals the true nature of reality. Turvey provides a detailed exegesis of this tradition, pointing...
The film theories of Jean Epstein, Dziga Vertov, Bela Balazs, and Siegfried Kracauer have long been studied separately from each other. In Doubtin...
The film theories of Jean Epstein, Dziga Vertov, Bela Balazs, and Siegfried Kracauer have long been studied separately from each other. In Doubting Vision, film scholar Malcolm Turvey argues that their work constitutes a distinct, hitherto neglected tradition, which he calls revelationism, and which differs in important ways from modernism and realism. For these four theorists and filmmakers, the cinema is an art of mass enlightenment because it escapes the limits of human sight and reveals the true nature of reality. Turvey provides a detailed exegesis of this tradition, pointing to...
The film theories of Jean Epstein, Dziga Vertov, Bela Balazs, and Siegfried Kracauer have long been studied separately from each other. In Doubtin...