Painted in 1878, Cezanne's The Eternal Feminine, has been known by a variety of titles and, as Wayne Andersen discovered, has also been altered. Andersen traced these alterations to an art dealer who made them in an effort to render the painting more marketable. His study focuses on the significance of the original state of The Eternal Feminine in an effort to resolve its mysterious importance to Cezanne and, more broadly, the history of art.