Joan E. Dejean Catherine R. Stimpson Catharine R. Stimpson
Considering Sappho as a creature of translation and interpretation, a figment whose features have changed with social mores and aesthetics, Joan DeJean constructs a fascinating history of the sexual politics of literary reception. The association of Sappho with female homosexuality has made her a particularly compelling and yet problematic subject of literary speculation; and in the responses of different cultures to the challenge the poet presents, DeJean finds evidence of the standards imposed on female sexuality through the ages. She focuses largely though not exclusively on the French...
Considering Sappho as a creature of translation and interpretation, a figment whose features have changed with social mores and aesthetics, Joan DeJea...
As the end of the century approaches, many predict our fin de siecle will mirror the nineteenth-century decline into decadence. But a better model for the 1990s is to be found, according to Joan DeJean, in the culture wars of France in the 1690s the time of a battle of the books known as the Quarrel between the Ancients and the Moderns. DeJean brilliantly reassesses our current culture wars from the perspective of that earlier fin de siecle (the first to think of itself as such), and rereads the seventeenth-century Quarrel from the vantage of our own warring "ancients" and "moderns." In...
As the end of the century approaches, many predict our fin de siecle will mirror the nineteenth-century decline into decadence. But a better model for...
As the end of the century approaches, many predict our fin de siecle will mirror the nineteenth-century decline into decadence. But a better model for the 1990s is to be found, according to Joan DeJean, in the culture wars of France in the 1690s the time of a battle of the books known as the Quarrel between the Ancients and the Moderns. DeJean brilliantly reassesses our current culture wars from the perspective of that earlier fin de siecle (the first to think of itself as such), and rereads the seventeenth-century Quarrel from the vantage of our own warring "ancients" and "moderns." In...
As the end of the century approaches, many predict our fin de siecle will mirror the nineteenth-century decline into decadence. But a better model for...
The concept of obscenity is an ancient one. But as Joan DeJean suggests, its modern form, the same version that today's politicians decry and savvy artists exploit, was invented in seventeenth-century France. "The Reinvention of Obscenity" casts a fresh light on the mythical link between sexual impropriety and things French. Exploring the complicity between censorship, print culture, and obscenity, DeJean argues that mass market printing and the first modern censorial machinery came into being at the very moment that obscenity was being reinvented that is, transformed from a minor...
The concept of obscenity is an ancient one. But as Joan DeJean suggests, its modern form, the same version that today's politicians decry and savvy ar...
Tender Geographies offers a new version of literary history by arguing that French women writers were the originators of the modern novel. Joan DeJean exposes the gender politics of canon formation in France.During what is considered the Great Century of French Letters (1630-1715), women writers were active in numbers unheard of before or since. Featuring the best known early women novelists--ScudA(c)ry and Lafayette-- Tender Geographies repositions literary women in their contemporary context. DeJean demonstrates that women's writing was widely thought to convey a politically and socially...
Tender Geographies offers a new version of literary history by arguing that French women writers were the originators of the modern novel. Joan DeJ...
This treatise argues that women writers were the originators of the modern novel in France. It uses the novels of Scudery and Lafayette to illustrate how such works undermined French tradition by suggesting that women had a right to choose their husbands and to lead independent lives.
This treatise argues that women writers were the originators of the modern novel in France. It uses the novels of Scudery and Lafayette to illustrate ...
This highly original interpretation of the novel of the French Classical age explores military strategy as a central metaphor in Rousseau's Julie and Emile, Laclos' Les Liaisons dangereuses, and Sade's Les 120 Journees de Sodome.
Originally published in 1984.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover...
This highly original interpretation of the novel of the French Classical age explores military strategy as a central metaphor in Rousseau's Julie a...
