From its earliest days, the Virginia landscape has elicited dramatically contradictory descriptions. The sixteenth-century poet Michael Drayton exalted the land as -earth's onely paradise, - while John Smith, in his reports to England, summarized the area around Jamestown as -a miserie, a ruine, a death, a hell.-
Drawing upon both familiar history and lesser-known material from deep geological time through the end of the seventeenth century, Stephen Adams focuses on both the physical changes to the land over time and the changes in the way people viewed Virginia. The Best and Worst...
From its earliest days, the Virginia landscape has elicited dramatically contradictory descriptions. The sixteenth-century poet Michael Drayton exa...
From its earliest days, the Virginia landscape has elicited dramatically contradictory descriptions. The sixteenth-century poet Michael Drayton exalted the land as -earth's onely paradise, - while John Smith, in his reports to England, summarized the area around Jamestown as -a miserie, a ruine, a death, a hell.-
Drawing upon both familiar history and lesser-known material from deep geological time through the end of the seventeenth century, Stephen Adams focuses on both the physical changes to the land over time and the changes in the way people viewed Virginia. The Best and Worst...
From its earliest days, the Virginia landscape has elicited dramatically contradictory descriptions. The sixteenth-century poet Michael Drayton exa...