By exploring manifestations of normative and non-normative thinking in the geopolitical and cultural contexts of Early Modern Italy, Spain, and the American colonies, this volume hopes to encourage interdisciplinary discussions on the early modern notions of reason and unreason, good and evil, justice and injustice, center and periphery, freedom and containment, self and other.
By exploring manifestations of normative and non-normative thinking in the geopolitical and cultural contexts of Early Modern Italy, Spain, and the Am...
By exploring manifestations of normative and non-normative thinking in the geopolitical and cultural contexts of Early Modern Italy, Spain, and the American colonies, this volume hopes to encourage interdisciplinary discussions on the early modern notions of reason and unreason, good and evil, justice and injustice, center and periphery, freedom and containment, self and other.
By exploring manifestations of normative and non-normative thinking in the geopolitical and cultural contexts of Early Modern Italy, Spain, and the Am...
The term anamorphosis, from the greek ana (again) and morphe (shape), designates a variety of perspective experiments that can be traced back to the artistic developments of the 1500's and 1600's. Anamorphic devices challenge viewers to experience different forms of perceptual oscillation and uncertainty. Images shift in front of the eyes of puzzled spectators as they move from the center of the representation to the margins, or from one side to the other. (A) Wry Views demonstrates that much of the literature of the Spanish Golden Age is susceptible, and indeed requires, oblique readings (as...
The term anamorphosis, from the greek ana (again) and morphe (shape), designates a variety of perspective experiments that can be traced back to the a...
This volume explores the intersection between theories of the modern spectacle--from Jose Antonio Maravall's conceptualization of the spectacular culture of the baroque to the Frankfurt School's theorization of mass culture, to Baudrillard's notion of the simulacrum, to Guy Debord's understanding of the society of the spectacle--and the findings of the emerging fields of urban studies, landscape studies, and, generally speaking, studies of space.
This volume explores the intersection between theories of the modern spectacle--from Jose Antonio Maravall's conceptualization of the spectacular cult...
This volume explores the intersection between theories of the modern spectacle--from Jose Antonio Maravall's conceptualization of the spectacular culture of the baroque to the Frankfurt School's theorization of mass culture, to Baudrillard's notion of the simulacrum, to Guy Debord's understanding of the society of the spectacle--and the findings of the emerging fields of urban studies, landscape studies, and, generally speaking, studies of space.
This volume explores the intersection between theories of the modern spectacle--from Jose Antonio Maravall's conceptualization of the spectacular cult...
Zombie Talk offers a concise, interdisciplinary introduction and deep analytical set of theoretical approaches to help readers understand the phenomenon of zombies in contemporary and modern culture. With essays that combine Humanities and Social Science methodologies, the authors examine the zombie through an array of cultural products from different periods and geographical locations. Films ranging from White Zombie (1932) to the pioneering films of George Romero, television shows like AMC's The Walking Dead to literary offerings such as Richard Matheson's I am Legend (1954) and Seth...
Zombie Talk offers a concise, interdisciplinary introduction and deep analytical set of theoretical approaches to help readers understand the phenomen...
We are living in a time of inflationary media. While technological change has periodically altered and advanced the ways humans process and transmit knowledge, for the last 100 years the media with which we produce, transmit, and record ideas have multiplied in kind, speed, and power. Saturation in media is provoking a crisis in how we perceive and understand reality. Media become inflationary when the scope of their representation of the world outgrows the confines of their culture's prior grasp of reality. We call the resulting concept of reality that emerges the culture's...
We are living in a time of inflationary media. While technological change has periodically altered and advanced the ways humans process and transmi...
We are living in a time of inflationary media. While technological change has periodically altered and advanced the ways humans process and transmit knowledge, for the last 100 years the media with which we produce, transmit, and record ideas have multiplied in kind, speed, and power. Saturation in media is provoking a crisis in how we perceive and understand reality. Media become inflationary when the scope of their representation of the world outgrows the confines of their culture's prior grasp of reality. We call the resulting concept of reality that emerges the culture's...
We are living in a time of inflationary media. While technological change has periodically altered and advanced the ways humans process and transmi...
