Using an interdisciplinary approach, this book argues that American artistry in the 1960s can be understood as one of the most vital and compelling interrogations of modernity. James C. Hall finds that the legacy of slavery and the resistance to it have by necessity made African Americans among the most incisive critics and celebrants of the Enlightenment inheritance. Focusing on the work of six individuals--Robert Hayden, William Demby, Paule Marshall, John Coltrane, Romare Bearden, and W.E.B. DuBois--Mercy, Mercy Me seeks to recover an American tradition of evaluating the...
Using an interdisciplinary approach, this book argues that American artistry in the 1960s can be understood as one of the most vital and compelling in...
Paule Marshall (b. 1929) is a major contributor to the canons of African American and Caribbean American literature. In 1959, she published her first novel, Brown Girl, Brownstones, and was quickly recognized as a writer of great talent and insight on important questions about gender, race, and immigration in American society. In 1981, the Feminist Press rediscovered her novel and reprinted it, earning Marshall the informal title of grandmother of the renaissance of African American women's writing that emerged in the early 1970s. Over the course of her fifty-year career, Marshall...
Paule Marshall (b. 1929) is a major contributor to the canons of African American and Caribbean American literature. In 1959, she published her fir...
