Since the start of the occupation of Palestinian territories in 1967, Israel's domination of the Palestinians has deprived an entire population of any political status or protection. But even decades on, most people speak of this rule--both in everyday political discussion and in legal and academic debates--as temporary, as a state of affairs incidental and external to the Israeli regime. In The One-State Condition, Ariella Azoulay and Adi Ophir directly challenge this belief.
Looking closely at the history and contemporary formation of the ruling apparatus--the technologies...
Since the start of the occupation of Palestinian territories in 1967, Israel's domination of the Palestinians has deprived an entire population of ...
In this compelling work, Ariella Azoulay reconsiders the political and ethical status of photography. Describing the power relations that sustain and make possible photographic meanings, Azoulay argues that anyone -- even a stateless person -- who addresses others through photographs or is addressed by photographs can become a member of the citizenry of photography. The civil contract of photography enables anyone to pursue political agency and resistance through photography. Photography, Azoulay insists, cannot be understood separately from the many catastrophes of recent history. The...
In this compelling work, Ariella Azoulay reconsiders the political and ethical status of photography. Describing the power relations that sustain a...
Newtopia: The State of Human Rights looks at human rights through the work of 70 international contemporary artists. Many of these artists come from countries or regions where human rights has been or is a particularly pressing issue, such as the Arab World, China, India, Latin America, South Africa and Russia. Much more than a straightforward exhibition catalogue, Newtopia is composed of three sections. The first part assesses the current state of the human rights debate in essays and philosophical reflections; the second collects contributions by various international human...
Newtopia: The State of Human Rights looks at human rights through the work of 70 international contemporary artists. Many of these artists come...
This book is the product of a unique collaboration between the Israeli artist and philosopher Aim Deuelle Luski and Ariella Azoulay. In their long-standing working relationship, they research how to theorize the structure of the contemporary scopic regime and to open a space for its civil transformation. On this occasion, Azoulay interprets a unique series of cameras built by Deuelle Luski, along with photographs taken by these cameras. Unlike conventional, vertical photography, Deuelle Luski's cameras seek to generate new sets of relations between the camera and the world.
Azoulay s...
This book is the product of a unique collaboration between the Israeli artist and philosopher Aim Deuelle Luski and Ariella Azoulay. In their long-...
Understanding photography is more than a matter of assessing photographs, writes Ariella Azoulay. The photograph is merely one event in a sequence that constitutes photography and which always involves an actual or potential spectator in the relationship between the photographer and the individual portrayed. The shift in focus from product to practice, outlined in Civil Imagination, brings to light the way images can both reinforce and resist the oppressive reality foisted upon the people depicted. Through photography, Civil Imagination seeks out relations of partnership,...
Understanding photography is more than a matter of assessing photographs, writes Ariella Azoulay. The photograph is merely one event in a sequence tha...
Miki Kratsman (born 1959) has worked as a photojournalist in the Palestinian Occupied Territories for over three decades. Originally created in the context of daily news, his photographs look at both -wanted men---individuals sought by the Israeli state--and the everyman and everywoman on the street who, by virtue of being Palestinian in a particular time and place, can be seen as a -suspect.- Kratsman has also provoked long-term interaction around the images on social media, creating a Facebook page on which viewers are invited to identify the individuals portrayed and comment on their...
Miki Kratsman (born 1959) has worked as a photojournalist in the Palestinian Occupied Territories for over three decades. Originally created in the co...
Stan bardzo dobry - książka była czytana, ale jeszcze długo posłuży innym czytelnikom. Ma ślady używania - otwierania i kartkowania, rysy, zabrudzenia. Wygląda jak książka, którą wypożyczasz w bibliotece. This is a volume about the public display of death in contemporary culture. It consists of a series of essays on specific cases in which death is displayed in museums and in photography. The essays focus mainly on representations of violence and death in events in recent Israeli history, including the assassination of Yitzhak Rabin and the Palestinian Intifada, and on the...
Stan bardzo dobry - książka była czytana, ale jeszcze długo posłuży innym czytelnikom. Ma ślady używania - otwierania i kartkowania, rysy, zab...
Stan bardzo dobry - książka była czytana, ale jeszcze długo posłuży innym czytelnikom. Ma ślady używania - otwierania i kartkowania, rysy, zabrudzenia. Wygląda jak książka, którą wypożyczasz w bibliotece.
This is a book about the public display of death in contemporary culture. It consists of a series of essays on specific cases in which death is displayed in museums and in photography. The essays focus mainly on representations of violence and death in events in recent Israeli history, including the assassination of Yitzhak Rabin and the Palestinian Intifada, and on the...
Stan bardzo dobry - książka była czytana, ale jeszcze długo posłuży innym czytelnikom. Ma ślady używania - otwierania i kartkowania, rysy, zab...
