This book examines a range of visual images of military recruitment to explore changing notions of glory, or of gloire, during the French Revolution. It raises questions about how this event re-orientated notions of 'citizenship' and of service to 'la Patrie'. The opening lines of the Marseillaise are grandly declamatory: Allons enfants de la Patrie/le jour de gloire est arrive or, in English: Arise, children of the Homeland/The day of glory has arrived What do these words mean in their later eighteenth-century French context? What was gloire and how...