Much of the sculpture created in ancient Greece that has survived is funerary in nature. These markers commemorating the dead were traditionally placed along roads near the entrances to cities, where they could be seen by all. Although the monuments vary greatly in style, quality, and elaboration, they reach across the millennia speaking the universal language of human grief.
This illustrated catalogue presents fifty-nine Greek funerary monuments in the Antiquities collection of the Getty Museum. Spanning the Classical and Hellenistic periods, this collection offers new insight into Greek...

Tool marks and joins, Cycladic and Daedalic styles, and kouroi and kanephoroi are among the many terms pertaining to the study of classical stone sculpture that are succinctly described in this latest addition to the Looking At series. Presented in glossary format, this illustrated book gives concise definitions of the words and phrases most frequently encountered by museum visitors in exhibition labels and texts. Throughout the book, the author focuses on the technical aspects of sculpting that influenced the style and character of the finished works. ancient stone sculpture was produced,...

The 19 papers in this volume stem from a symposium that brought together academics, archaeologists, museum curators, conservators and a practising marble sculptor to discuss varying approaches to restoration of ancient stone sculptures. changing approaches to conservation; Seymour Howard on restoration and the antique model; Nancy H. Ramage's case study on the relationship between a restorer, Vincenzo Pacetti, and his patron, Luciano Bonaparte; Mette Moltesen on de-restoring and re-restoring in the Ny Carlsberg Glyptotek; Miranda Marvin on the Ludovisi collection; and Andreas Scholl on the...