"The Monster in the Machine" tracks the ways in which human beings were defined in contrast to supernatural and demonic creatures during the time of the Scientific Revolution. Zakiya Hanafi recreates scenes of Italian life and culture from the late sixteenth to the early eighteenth centuries to show how monsters were conceptualized at this particular locale and historical juncture a period when the sacred was being supplanted by a secular, decidedly nonmagical way of looking at the world. Noting that the word monster is derived from the Latin for omen or warning, Hanafi explores the...
"The Monster in the Machine" tracks the ways in which human beings were defined in contrast to supernatural and demonic creatures during the time of t...
"The Monster in the Machine" tracks the ways in which human beings were defined in contrast to supernatural and demonic creatures during the time of the Scientific Revolution. Zakiya Hanafi recreates scenes of Italian life and culture from the late sixteenth to the early eighteenth centuries to show how monsters were conceptualized at this particular locale and historical juncture a period when the sacred was being supplanted by a secular, decidedly nonmagical way of looking at the world. Noting that the word monster is derived from the Latin for omen or warning, Hanafi explores the...
"The Monster in the Machine" tracks the ways in which human beings were defined in contrast to supernatural and demonic creatures during the time of t...
The work of contemporary Italian thinkers, what Roberto Esposito refers to as Italian Theory, is attracting increasing attention around the world. This book explores the reasons for its growing popularity, its distinguishing traits, and why people are turning to these authors for answers to real-world issues and problems. The approach he takes, in line with the keen historical consciousness of Italian thinkers themselves, is a historical one. He offers insights into the great "unphilosophical" philosophers of life--poets, painters, politicians and revolutionaries, film-makers and literary...
The work of contemporary Italian thinkers, what Roberto Esposito refers to as Italian Theory, is attracting increasing attention around the world. ...
As long as we care about suffering in the world, says political philosopher Simona Forti, we are compelled to inquire into the question of evil. But is the concept of evil still useful in a postmodern landscape where absolute values have been leveled and relativized by a historicist perspective? Given our current unwillingness to judge others, what signposts remain to guide our ethical behavior?
Surveying the nineteenth- and twentieth-century Western philosophical debates on evil, Forti concludes that it is time to leave behind what she calls "the Dostoevsky paradigm": the...
As long as we care about suffering in the world, says political philosopher Simona Forti, we are compelled to inquire into the question of evil. Bu...
As long as we care about suffering in the world, says political philosopher Simona Forti, we are compelled to inquire into the question of evil. But is the concept of evil still useful in a postmodern landscape where absolute values have been leveled and relativized by a historicist perspective? Given our current unwillingness to judge others, what signposts remain to guide our ethical behavior?
Surveying the nineteenth- and twentieth-century Western philosophical debates on evil, Forti concludes that it is time to leave behind what she calls "the Dostoevsky paradigm": the...
As long as we care about suffering in the world, says political philosopher Simona Forti, we are compelled to inquire into the question of evil. Bu...
The debate on "political theology" that ran throughout the twentieth century has reached its end, but the ultimate meaning of the notion continues to evade us. Despite all the attempts to resolve the issue, we still speak its language--we remain in its horizon. The reason for this, says Roberto Esposito, lies in the fact that political theology is neither a concept nor an event; rather, it is the pivot around which the machine of Western civilization has revolved for more than 2,000 years. At its heart stands the juncture between universalism and exclusion, unity and separation: the tendency...
The debate on "political theology" that ran throughout the twentieth century has reached its end, but the ultimate meaning of the notion continues to ...
The debate on "political theology" that ran throughout the twentieth century has reached its end, but the ultimate meaning of the notion continues to evade us. Despite all the attempts to resolve the issue, we still speak its language--we remain in its horizon. The reason for this, says Roberto Esposito, lies in the fact that political theology is neither a concept nor an event; rather, it is the pivot around which the machine of Western civilization has revolved for more than 2,000 years. At its heart stands the juncture between universalism and exclusion, unity and separation: the...
The debate on "political theology" that ran throughout the twentieth century has reached its end, but the ultimate meaning of the notion continues to ...
The novel is the most important form of Western art. It aims to represent the totality of life; it is the flagship that literature sends out against the systematic thought of science and philosophy. Indebted to Lukacs and Bakhtin, to Auerbach and Ian Watt, Guido Mazzoni's Theory of the Novel breaks new ground, building a historical understanding of how the novel became the modern book of life: one of the best representations of our experience of the world.
The genre arose during a long metamorphosis of narrative forms that took place between 1550 and 1800. By the nineteenth...
The novel is the most important form of Western art. It aims to represent the totality of life; it is the flagship that literature sends out agains...
