This dedicated volume of the Journal of the British Archaeological Association draws together ten papers which, collectively, explore something of the art and architecture, styles and uses, of the medieval cloister in England and Wales. Contributors consider the continental context, cloisters in English palaces, Benedictine and Augustinian cloister arcades in the 12th and 13th centuries, architecture and meaning in Cistercian east ranges, late medieval vaulted cloisters in the West Country, cloisters at the cathedrals of Old Sarum, Canterbury, and Lincoln, and assess the extent to which the...

The fourteen papers collected in this volume explore the medieval art, architecture and archaeology of Kings Lynn and the Fens. They arise out of the Associations 2005 conference, and reflect its concern to engage with a broad range of monuments and themes, rather than focusing on a single major building. Within Kings Lynn contributors consider the superb 14th-century enamelled drinking vessel popularly known as King Johns Cup, the former Hanseatic Steelyard, the Red Mount Chapel, and the oak furnishings of the chapel of St Nicholas, while the pine standard chest from St Margarets church is...

The Medieval Chantry in England is a special themed issue of Volume 164 of the Journal of the British Archaeological Association. Subscribers to the journal will receive a paperback version of the issue as part of their subscription. The subject is one that has attracted considerable attention from archaeologists and historians of art, architecture and music over the last two decades, though relatively little has been published.
Chantries were religious institutions endowed with land, goods and money. At their heart was the performance of a daily mass for the spiritual benefit of their...

The nineteen papers collected in this volume explore a notable phenomenon, that of retrospection in the art and architecture of Romanesque Europe. They arise from a conference organized by the British Archaeological Association in 2010, and reflect its interest in how and why the past manifested itself in the visual culture of the 11th and 12th centuries. This took many forms, from the casual re-use of ancient material to a specific desire to re-present or emulate earlier objects and buildings. Central to it is a concern for the revival of Roman and early medieval forms, spolia, selective...

Since 1750, the world has become ever more connected, with processes of production and destruction no longer limited by land- or water-based modes of transport and communication. Volume 7 of the Cambridge World History series, divided into two books, offers a variety of angles of vision on the increasingly interconnected history of humankind. The first book examines structures, spaces, and processes within which and through which the modern world was created, including the environment, energy, technology, population, disease, law, industrialization, imperialism, decolonization, nationalism,...