The Silent Cinema Reader is a comprehensive resource of key writings on early cinema, addressing filmmaking practice, film form, style and content, and the ways in which silent films were exhibited and understood by their audiences, from the beginnings of film in the late nineteenth century to the coming of sound in the late 1920s.
The Reader covers international developments in film aesthetics, the growth of the American film industry and its relationship with foreign competitors at home and abroad, and the broader cultural, social and political contexts of film production and...

The Silent Cinema Reader is a comprehensive resource of key writings on early cinema, addressing filmmaking practice, film form, style and content, and the ways in which silent films were exhibited and understood by their audiences, from the beginnings of film in the late nineteenth century to the coming of sound in the late 1920s. The Reader covers international developments in film aesthetics, the growth of the American film industry and its relationship with foreign competitors at home and abroad, and the broader cultural, social and political contexts of film production and consumption in...

White slave films, dramas documenting sex scandals, filmed prize fights featuring the controversial African-American boxer Jack Johnson, D.W. Griffith's The Birth of a Nation--all became objects of public concern after 1906, when the proliferation of nickelodeons brought moving pictures to a broad mass public. Lee Grieveson draws on extensive original research to examine the controversies over these films and over cinema more generally. He situates these contestations in the context of regulatory concerns about populations and governance in an early-twentieth-century America grappling...

Sinister, swaggering, yet often sympathetic, the figure of the gangster has stolen and murdered its way into the hearts of American cinema audiences. Despite the enduring popularity of the gangster film, however, traditional criticism has focused almost entirely on a few canonical movies such as "Little Caesar," "Public Enemy," and "The Godfather "trilogy, resulting in a limited and distorted understanding of this diverse and changing genre." ""Mob Culture" offers a long-awaited, fresh look at the American gangster film, exposing its hidden histories from the Black Hand gangs of the early...

The fourth volume of "The Griffith Project" looks at the films produced by D.W.Griffith at the Biograph Company in 1910. There were 86 films in all and they represent a period of creativity for the director, and they have been systematically analyzed in this volume.

Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces--both inside and outside of the university--that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political,...

Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces--both inside and outside of the university--that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political,...

In this volume of original essays, scholars from around the world address the history of British colonial cinema stretching from the emergence of cinema at the height of imperialism, to moments of decolonization and the ending of formal imperialism in the post-Second World War.

In these two volumes of original essays, scholars from around the world address the history of British colonial cinema stretching from the emergence of cinema at the height of imperialism, to moments of decolonization andthe ending of formal imperialism in the post-Second World War.

The gangster is perhaps the most potent figure in American cinema. Yet film criticism has focused almost entirely on a few canonical films such as Little Caesar, The Public Enemy, and The Godfather trilogy, resulting in a limited and distorted understanding of the compelling presence and persistence of the gangster. Mob Culture presents a detailed examination of the ideological richness of the gangster film throughout Hollywood's production history, from the silent period to the present.Mob Culture explores how the gangster figure has been connected to various cultural and racial identities,...