"Tomorrow Never Knows" takes us back to the primal scene of the 1960s and asks: what happened when young people got high and listened to rock as if it really mattered as if it offered meaning and sustenance, not just escape and entertainment? What did young people "hear" in the music of Dylan, Hendrix, or the Beatles? Bromell's pursuit of these questions radically revises our understanding of rock, psychedelics, and their relation to the politics of the 60s, exploring the period's controversial legacy, and the reasons why being "experienced" has been an essential part of American youth...

"Why," asks Nick Bromell, "should the political thought of white Americans remain the only theory to which Americans of all ethnicities turn when constructing and reconstructing their understanding of democracy? Must Americans remain locked in an apartheid of experience and perception even after whites have become a minority population in this nation? Hasn't the 2012 presidential election made clear that the time has come to build not just on the votes of citizens of color, but on the varieties of democratic thought their experience has engendered?"

In his answers to these questions,...