For over a century, Europe has been characterized by a plurality of capitalist modernities. At any moment, each country possesses its own distinctly modern qualities which are partly shaped through interrelationships with other countries. Each European commodity society has experienced successive, but different overlapping, periods of industrial modernity (large scale factories and urban growth), high modernity (social modernization promoted by social engineering) and hypermodernity (the acceleration of modernity, yielding new circumstances and sensibilities). Interrogating contemporary,...
For over a century, Europe has been characterized by a plurality of capitalist modernities. At any moment, each country possesses its own distinctly m...
For over a century, Europe has been characterized by a plurality of capitalist modernities. At any moment, each country possesses its own distinctly modern qualities which are partly shaped through interrelationships with other countries. Each European commodity society has experienced successive, but different overlapping, periods of industrial modernity (large scale factories and urban growth), high modernity (social modernization promoted by social engineering) and hypermodernity (the acceleration of modernity, yielding new circumstances and sensibilities). Interrogating contemporary,...
For over a century, Europe has been characterized by a plurality of capitalist modernities. At any moment, each country possesses its own distinctly m...
Through one figure--Badin, eighteenth-century Afro-Caribbean slave given to the Swedish royal court--Allan Pred shows how stereotypes endure through the repeated confusion of facts and fiction, providing a highly original perspective on the perpetuation of racializing stereotypes in the West. In the first of two interlocking montages inspired by Walter Benjamin, the book focuses on Badin, who died in Stockholm in 1822, and representations of his life that appeared from the 1840s through the 1990s. In the second montage, Pred brings the late nineteenth century and the present into play,...
Through one figure--Badin, eighteenth-century Afro-Caribbean slave given to the Swedish royal court--Allan Pred shows how stereotypes endure through t...
During a 1985 visit to Sweden's National Portrait Gallery, Pred (geography, U. of California, Berkeley) was first struck by a painting of a young male. Called Badin, he was an Afro-Caribbean slave given to the Swedish royal court, whose portrait was created in 1775 by a royal court artist. Through the example of Badin, Pred explores past and presen
During a 1985 visit to Sweden's National Portrait Gallery, Pred (geography, U. of California, Berkeley) was first struck by a painting of a young male...
