Ann Ardis questions commonly held views of radical modernism at the turn of the twentieth century. She depicts the "men of 1914," (as Wyndham Lewis called the coterie of writers centered around Ezra Pound, T.S. Eliot, and James Joyce) as only one among a number of groups intent on redefining the cultural objectives of British literature at the turn of the twentieth century. Simultaneously, Ardis reclaims key examples of non-modernist aesthetic effort associated with British socialism and feminism of the period.
Ann Ardis questions commonly held views of radical modernism at the turn of the twentieth century. She depicts the "men of 1914," (as Wyndham Lewis ca...
In Women's Experience of Modernity, 1875-1945, literary scholars working with a variety of interdisciplinary methodologies move feminine phenomena from the margins of the study of modernity to its center. Analyzing such cultural practices as selling and shopping, political and social activism, urban field work and rural labor, radical discourses on feminine sexuality, and literary and artistic experimentation, this volume contributes to the rich vein of current feminist scholarship on the -gender of modernism- and challenges the assumption that modernism rose naturally or inevitably...
In Women's Experience of Modernity, 1875-1945, literary scholars working with a variety of interdisciplinary methodologies move feminine phe...
Building on recent work on Victorian print culture and the turn toward material historical research in modernist studies, this collection extends the frontiers of scholarship on the "Atlantic scene" of publishing, exploring new ways of grappling with the rapidly changing universe of print at the turn of the twentieth century.
Building on recent work on Victorian print culture and the turn toward material historical research in modernist studies, this collection extends the ...
