"New Musical Figurations" exemplifies a dramatically new way of configuring jazz music and history. By relating biography to the cultural and musical contours of contemporary American life, Ronald M. Radano observes jazz practice as part of the complex interweaving of postmodern culture a culture that has eroded conventional categories defining jazz and the jazz musician. Radano accomplishes all this by analyzing the creative life of Anthony Braxton, one of the most emblematic figures of this cultural crisis. Born in 1945, Braxton is not only a virtuoso jazz saxophonist but an innovative...
"New Musical Figurations" exemplifies a dramatically new way of configuring jazz music and history. By relating biography to the cultural and musical ...
Lying up a nation traces the evolution of black music from the time of slavery to the modern era, showing how its history has always been dependent on the interplay of races.
Lying up a nation traces the evolution of black music from the time of slavery to the modern era, showing how its history has always been dependent on...
Lying up a nation traces the evolution of black music from the time of slavery to the modern era, showing how its history has always been dependent on the interplay of races.
Lying up a nation traces the evolution of black music from the time of slavery to the modern era, showing how its history has always been dependent on...
Ronald Michael Radano Philip Vilas Bohlman Houston A., Jr. Baker
A spectre lurks in the house of music, and it goes by the name of race, write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate relationship between race and music has rarely been examined by contemporary scholars, most of whom have abandoned it for more enlightened notions of ethnicity and culture. Here, a distinguished group of contributors confront the issue head on. Representing an unusually broad range of academic disciplines and geographic regions, they critically examine how the imagination of race has influenced musical production, reception and scholarly...
A spectre lurks in the house of music, and it goes by the name of race, write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate...
Ronald Michael Radano Philip Vilas Bohlman Houston A., Jr. Baker
"A specter lurks in the house of music, and it goes by the name of race," write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate relationship between race and music has rarely been examined by contemporary scholars, most of whom have abandoned it for the more enlightened notions of ethnicity and culture. Here, a distinguished group of contributors confront the issue head on. Representing an unusually broad range of academic disciplines and geographic regions, they critically examine how the imagination of race has influenced musical production, reception, and scholarly...
"A specter lurks in the house of music, and it goes by the name of race," write Ronald Radano and Philip Bohlman in their introduction. Yet the intima...
