Hogg's extremely rare periodical of 1810-11 shows him reacting to the writers, personalities, and locales of Scotland's capital city after his move to Edinburgh from Ettrick and his career-change from shepherd and farmer to professional author. His characteristically astute and idiosyncratic vision reveals a rather different city from that of Walter Scott and Francis Jeffrey, and his band of contributors form another audience for his work than the middle-class Tories associated with the later Blackwood's Edinburgh Magazine. The Spy includes early versions of some of Hogg's best-known poetry...

'It will be a grand book for thae Englishers for they winna understand a word of it, ' Hogg's boast to William Blackwood. Witty, humorous and comical as the title implies, the eccentric nature of many of the poems collected here nevertheless belies the often serious and moral issues contained within. Newly available in paperback, and including many of Hogg's better known longer pieces, the present volume is based on the first edition of A Queer Book to be published since 1832 - though the similarity between the two editions ends with the running order. While the text for the original edition...

James Hogg is one of the acknowledged masters of the short story. Some of his best stories appeared in The Shepherd's Calendar, a work of the 1820s in which he sets out to re-create on paper the manner and the content of the traditional oral storytelling of Ettrick Forest, the remote and mountainous sheep-farming district in which he grew up. Like Hogg's masterpiece The Private Memoirs and Confessions of a Justified Sinner, several of the stories from The Shepherd's Calendar deal disturbingly and hauntingly with the supernatural, and explore psychological depths with a remarkable insight and...

Set in Scotland in a period of religious and political turmoil, James Hogg's novel about religious fanaticism and megalomania is a study of fanatical delusion with startling contemporary relevance--a work that influenced such writers as Andre Gide, Lord Byron, Robert Louis Stevenson, and Muriel Spark.