This collection of essays considers the characteristics and unique qualities of Shakespeare's language, as well as the relationship between language and event, and the social, theatrical and literary function of language. A new introduction by Jonathan Hope explicates the differences between Shakespeare's language and our own, providing an appropriate theoretical and contextual framework.

This comprehensive collection demonstrates a complete range of writing on Shakespeare and politics. It has shifts of focus as diverse as biography, text and contexts, language and film from literary, historical, religious, theoretical and cultural perspectives. A new introductory article by John J. Joughin provides a commentary on the essays, relates them to other work in the field and presents an overview of the subject.

This volume draws together thirteen important essays on the concept of race in Shakespeare's drama. The authors, who themselves reflect racial and geographical diversity, explore issues of ethnography, politics, religion, identity, nationalism, and the distribution of power in Shakespeare's plays. They write from a variety of perspectives, drawing on Elizabethan and Jacobean historical studies and recent critical theory, attending to performances of the plays, as well as to the text. An introductory essay sets the context for the ensuing chapters, most of which are reprinted from volumes of...

This volume draws together ten important essays which use a variety of approaches and materials to explore the significance of sexuality in Shakespeare's work. Some consider the erotic effect of Shakespeare's language; others are concerned with expressions of desire (male, female, inter-racial, homosexual and heterosexual) in performance as well as text. Many are reprinted from Shakespeare Survey. They are introduced by Ann Thompson's survey of the topic in recent criticism, and conclude with a new essay by Celia Daileader on nudity in Shakespeare films.

This volume draws together ten important essays which use a variety of approaches and materials to explore the significance of sexuality in Shakespeare's work. Some consider the erotic effect of Shakespeare's language; others are concerned with expressions of desire (male, female, inter-racial, homosexual and heterosexual) in performance as well as text. Many are reprinted from Shakespeare Survey. They are introduced by Ann Thompson's survey of the topic in recent criticism, and conclude with a new essay by Celia Daileader on nudity in Shakespeare films.

This collection of essays considers the characteristics and unique qualities of Shakespeare's language, as well as the relationship between language and event, and the social, theatrical and literary function of language. A new introduction by Jonathan Hope explicates the differences between Shakespeare's language and our own, providing an appropriate theoretical and contextual framework.

This comprehensive collection demonstrates a complete range of writing on Shakespeare and politics. It has shifts of focus as diverse as biography, text and contexts, language and film from literary, historical, religious, theoretical and cultural perspectives. A new introductory article by John J. Joughin provides a commentary on the essays, relates them to other work in the field and presents an overview of the subject.

Which plays are included under the heading 'Shakespeare's last plays', and when does Shakespeare's 'last' period begin? What is meant by a 'late play', and what are the benefits in defining plays in this way? Reflecting the recent growth of interest in late studies, and recognising the gaps in accessible scholarship on this area, in this book leading international Shakespeare scholars address these and many other questions. The essays locate Shakespeare's last plays - single and co-authored - in the period of their composition, consider the significant characteristics of their Jacobean...